PEAR TREE RAG
PEAR TREE RAG
The pear tree is, the pear tree is
A half handle with a starry neck
A ladder to Jupiter or an anvil
your hand the hammer.
August is, August is
A moment of electrical motion
A window into a sun's furnace
A why, when for the pear.
My hand is, my hand is
reaching to touch the pear
source of wine, comfort or tears
too long in the heart's control.
Those eyes are, those eyes are
glaring at me through a radiant lit window,
forbidding me to touch the pear,
to feel, to feel, to feel.
I should pluck, I should pluck this pear,
hurl it at his window the feel of hand
on pear hurled at this devil
damned to sit forever
Looks and squints, looks and squints
through his damned window
at those who're saved
by that lust for those pears.
RED HOUSE RAG
I love the red house
Its so square and solid
Sunflowers poke their heads
Over the brown fence.
I love the red house.
Its the mother light,
the sunflowers
gawp like loonies.
Between murder and art
The red house, the brown fence,
the sunflowers flaming
and red like murder.
Between the act of art
sunlight the moon
melting in the sky
like a great exclamation mark.
The walls in the red house
glisten with moonlight.
The dank souls of sunflowers
screaming at the idiot stars.
Who are mad, mad, mad.
feel always that the square
coffin box time will never
be the oblivion of sunflowers.
NAPLES HAIKU
By Paul Murphy
I
Sorrento clashes
Ambrosia, pinks and hues
Gazing at the rocks.
II
Capodimonte
In a lime green verdant rush
Of rich lavender.
III
The birds, like big stiff
Commas, lift a haiku
Out of my dead dream.
IV
Why does the salt sea
Loneliness run like bare thread
In the darkest night?
V
Giordano Bruno’s
Bones dance and the liar’s kiss
And the dancing stairs.
SATAN AND EVE
Met in the shade under a canopy
All hung with a million red fruits
Dim glimmer of the moon’s halo
Star shine glanced off the bright fruits.
“I want to love you,
but you aren’t my creation,” spoke Satan.
His entire body was divested.
Eve was totally quiet but soon
She felt filled with light.
Satan knew that Eve would give birth
In time to his “creation”, mankind,
That would eventually make the film
“Enter the Void”. Satan and Eve
Made the Irish, the Jews, even the Germans
But could they really make
“Enter the Void”?
JOBCENTER DRESDEN BUDAPESTERSTR.
Green God of the Holy Fool
Quiet the needful storm
That is this black tomb
And divert the rains.
Placate the livid Seraphim
That feast with the antique Muses
Around Apollo who sells the lyre
To baleful, red-eyed Mephistopheles.
For another clear betting chance
On the odds favourite to fall.
The rats cling to the Frauenkirche,
To Zwinger, SemperOper, to the Bratwust
That sizzles, to an ancient zither
Madly mutating all the ether.
Paul Murphy
The pear tree is, the pear tree is
A half handle with a starry neck
A ladder to Jupiter or an anvil
your hand the hammer.
August is, August is
A moment of electrical motion
A window into a sun's furnace
A why, when for the pear.
My hand is, my hand is
reaching to touch the pear
source of wine, comfort or tears
too long in the heart's control.
Those eyes are, those eyes are
glaring at me through a radiant lit window,
forbidding me to touch the pear,
to feel, to feel, to feel.
I should pluck, I should pluck this pear,
hurl it at his window the feel of hand
on pear hurled at this devil
damned to sit forever
Looks and squints, looks and squints
through his damned window
at those who're saved
by that lust for those pears.
RED HOUSE RAG
I love the red house
Its so square and solid
Sunflowers poke their heads
Over the brown fence.
I love the red house.
Its the mother light,
the sunflowers
gawp like loonies.
Between murder and art
The red house, the brown fence,
the sunflowers flaming
and red like murder.
Between the act of art
sunlight the moon
melting in the sky
like a great exclamation mark.
The walls in the red house
glisten with moonlight.
The dank souls of sunflowers
screaming at the idiot stars.
Who are mad, mad, mad.
feel always that the square
coffin box time will never
be the oblivion of sunflowers.
NAPLES HAIKU
By Paul Murphy
I
Sorrento clashes
Ambrosia, pinks and hues
Gazing at the rocks.
II
Capodimonte
In a lime green verdant rush
Of rich lavender.
III
The birds, like big stiff
Commas, lift a haiku
Out of my dead dream.
IV
Why does the salt sea
Loneliness run like bare thread
In the darkest night?
V
Giordano Bruno’s
Bones dance and the liar’s kiss
And the dancing stairs.
SATAN AND EVE
Met in the shade under a canopy
All hung with a million red fruits
Dim glimmer of the moon’s halo
Star shine glanced off the bright fruits.
“I want to love you,
but you aren’t my creation,” spoke Satan.
His entire body was divested.
Eve was totally quiet but soon
She felt filled with light.
Satan knew that Eve would give birth
In time to his “creation”, mankind,
That would eventually make the film
“Enter the Void”. Satan and Eve
Made the Irish, the Jews, even the Germans
But could they really make
“Enter the Void”?
JOBCENTER DRESDEN BUDAPESTERSTR.
Green God of the Holy Fool
Quiet the needful storm
That is this black tomb
And divert the rains.
Placate the livid Seraphim
That feast with the antique Muses
Around Apollo who sells the lyre
To baleful, red-eyed Mephistopheles.
For another clear betting chance
On the odds favourite to fall.
The rats cling to the Frauenkirche,
To Zwinger, SemperOper, to the Bratwust
That sizzles, to an ancient zither
Madly mutating all the ether.
Paul Murphy
