The Balcony of Europe
THE OLD SCHOOL IS CLOSING
(Orangefield Boys High School RIP)
Dr Lacan’s verterbrate
Is chattering like a dove’s brain
In a blue cyclopean dome
The tish and tash of mewing polyps.
Foaming among evolutionary junk
An embryo flicks back and forth
In the depths of a vitrine
Crackling lightning burns on the water.
The old school is closed
The auld school is closed
Then a lasting look
As the ceiling hovers and hovers.
THE BALCONY OF EUROPE
Here are German twins
With heaps of string
A trainspotter’s agenda
Books of burnt umber
Overlooking the river Elbe .
Here’s Humpty Dumpty
With a copper nose,
He’s observed the moon,
traced out its vast craters,
onto a Berlin U-Bahn map.
Here comes a poet
The black sheep of the entire
Black sheep family,
He’s holding piles of bible black books
And a tarnished ring.
Here’s the entire famous world
Waiting at the river
For the Huns to burst
The barricades, for the Goths,
their marvellous horses.
For the Saxons in the east
(A beer-friendly people)
For the crowds of St Pauli
For the Faust des Ostens
For the Seven Deadly Sins.
Then the twins record
The number plates of cars
The relative lengths of trains
The serial numbers and times.
Then, only then, Europe moves on.
A WHITE BUS WITH WHITE STRIPES
O Romeo the heart's a bone.
Desire's a man of sorrow
like the painted sailor.
O primitive Madonna
actual paint inside your sarcophagus,
street shudders.
O moonrise portray
the lacklustre rotted iron hope
on the shadow fiction of madness.
O Filippo Brunelleschi
give me a dragon's egg
within Dante's Arno.
O two strokes of a paintbrush
doleful eyes that gaze downwards
into a passing stranger.
O the enamel heart
Of a dome's construction,
O your lion-hearted last romance.
O pitiless murderer,
O cruelly slain
on a white bus with white stripes.
THE BLUFA LADY
Van Helsing flirts with his intestate bride.
Hides from the police on Hampstead Heath.
He’s becoming a vampire or vanished
Into the waves of thievery that’s also London.
The Justice
Is already thrumming his fingers
The grotesque sentence is that you
Van Helsing become a character.
Every cockcrow waves of nausea,
Odour of garlic, are you really a doctor?
A louche, declined would–be scientist
Possessing a route map to the north
Passing the declining sun’s last bitter rays.
Interminable icicles, time’s manacles
Fixed upon the Spaniards inverted
Taximan’s map of Jack Straws Castle.
I walk towards Hampstead Heath
Towards the thwack of those manacles
As they open and shut on the tomb
Of poor Lucy who managed
To die in a certain key
But didn’t dread eternity
Just the waste spaces
Of that ice nightmare castle
That sometimes appeared
Like a blue vein composed
Of the merest river of silence
In a summer’s decomposition.
A Transylvanian meteor
Plumping up the skies, the laughing spree
Of our dear monster who packed
Flowers and garlic, white headed blooms,
Into Lucy’s mouth, who cut off her head
Then languidly slashed up the street.
Paul Murphy
(Orangefield Boys High School RIP)
Dr Lacan’s verterbrate
Is chattering like a dove’s brain
In a blue cyclopean dome
The tish and tash of mewing polyps.
Foaming among evolutionary junk
An embryo flicks back and forth
In the depths of a vitrine
Crackling lightning burns on the water.
The old school is closed
The auld school is closed
Then a lasting look
As the ceiling hovers and hovers.
THE BALCONY OF EUROPE
Here are German twins
With heaps of string
A trainspotter’s agenda
Books of burnt umber
Overlooking the river Elbe .
Here’s Humpty Dumpty
With a copper nose,
He’s observed the moon,
traced out its vast craters,
onto a Berlin U-Bahn map.
Here comes a poet
The black sheep of the entire
Black sheep family,
He’s holding piles of bible black books
And a tarnished ring.
Here’s the entire famous world
Waiting at the river
For the Huns to burst
The barricades, for the Goths,
their marvellous horses.
For the Saxons in the east
(A beer-friendly people)
For the crowds of St Pauli
For the Faust des Ostens
For the Seven Deadly Sins.
Then the twins record
The number plates of cars
The relative lengths of trains
The serial numbers and times.
Then, only then, Europe moves on.
A WHITE BUS WITH WHITE STRIPES
O Romeo the heart's a bone.
Desire's a man of sorrow
like the painted sailor.
O primitive Madonna
actual paint inside your sarcophagus,
street shudders.
O moonrise portray
the lacklustre rotted iron hope
on the shadow fiction of madness.
O Filippo Brunelleschi
give me a dragon's egg
within Dante's Arno.
O two strokes of a paintbrush
doleful eyes that gaze downwards
into a passing stranger.
O the enamel heart
Of a dome's construction,
O your lion-hearted last romance.
O pitiless murderer,
O cruelly slain
on a white bus with white stripes.
THE BLUFA LADY
Van Helsing flirts with his intestate bride.
Hides from the police on Hampstead Heath.
He’s becoming a vampire or vanished
Into the waves of thievery that’s also London.
The Justice
Is already thrumming his fingers
The grotesque sentence is that you
Van Helsing become a character.
Every cockcrow waves of nausea,
Odour of garlic, are you really a doctor?
A louche, declined would–be scientist
Possessing a route map to the north
Passing the declining sun’s last bitter rays.
Interminable icicles, time’s manacles
Fixed upon the Spaniards inverted
Taximan’s map of Jack Straws Castle.
I walk towards Hampstead Heath
Towards the thwack of those manacles
As they open and shut on the tomb
Of poor Lucy who managed
To die in a certain key
But didn’t dread eternity
Just the waste spaces
Of that ice nightmare castle
That sometimes appeared
Like a blue vein composed
Of the merest river of silence
In a summer’s decomposition.
A Transylvanian meteor
Plumping up the skies, the laughing spree
Of our dear monster who packed
Flowers and garlic, white headed blooms,
Into Lucy’s mouth, who cut off her head
Then languidly slashed up the street.
Paul Murphy
